When Our Eyes Touch
Larnaka Municipal Gallery, 2022
The Lefteris Economou Cultural Foundation, 2021
Echo Arts, 2021
Cyprus Architecture Association for Venice Biennale of Architecture 2021
Images And Views of Alternative Cinema Festival 2020, Nicosia
Visual Artists Association, Nicosia, 2018 - 2020
Visual Artists Association, Nicosia, 2017
Spatial Symphony, contribution to ‘A Well Tempered Clavier’exhibition by Evelyn Anastasiou, eins gallery, Limassol (December 2019)
We could almost say a living being is like a memory which
acts: On the work of Kyros Papavassiliou,
Catalogue Essay, commissioned by ‘Images and Views of alternative Cinema’ 2018
Festival, Cyprus. (February 2018)
A Land Rover Approached the Village – Essay
for artist group Neoterismoi Toumazou,
published in Kassianidou, Marina (ed.): ‘When Words Enter the Picture’, Visual
Artists Association Cyprus:Nicosia, 2017. A previous version of this essay
appeared in the exhibition Terra
Mediterranea: In Action, Nicosia Municipal Arts Centre, 2017.
on skin irony, contribution to Spritz Palace, group exhibition at Thkio Ppalies Project Space, Nicosia (September 2018)
Orchestra Uncredited:
On the work of Peter Eramian, Essay written on occasion of the
exhibition Business Plan by Peter Eramian, fAN Kunstverein, Vienna (June 2017)
Exhaustion - contribution to Exhaustion exhibition, Artist:
Phanos Kyriakou, Point Centre for Contemporary Art (March 2017)
The Gaze of the World - Essay
for Planetes exhibition catalogue,
Paphos, Cyprus. Artist: Yorgos Petrou, Curator: Elena Parpa (January 2017)
Navigation within
Arcane Signs - Essay for Planetes exhibition catalogue, Paphos, Cyprus. Artist:
Marina Xenofontos, Curator: Elena Parpa (January 2017)
Natural And Other
Rhythms: Flamingo Theatre - Essay for Flamingo Theatre photography book, Artist: Stelios Kallinikou (April 2016)
text for space, contribution to ‘Data Divas Club’ exhibition by Christos Kyriakides, TestDrive
Subscription Packages, visual poem co-authored with Evagoria Dapola, for Phaneromenis 70 Window Project, Curator: Monika Asimenou
Remnants also enjoy their trip to the surface, contribution to ‘Here’s to my sweet satan’, exhibition and publication by Peter Eramian